Other Used Guitars
Maker: Collings
Year: 200?
Notes:
Rosewood Body.
4 1/2" Deep Sides.
Electronics.
Maker: Guild
Year: 1966
Notes:
An 0-sized Guild Guitar made in Rhode Island.
Nearly perfect with Low Action.
Maker: Guild
Year: 1966
Notes:
Hoboken
Maker: Guild
Year: 1966
Notes:
Double Pick-Ups.
Maker: Guild
Year: 1957
Notes:
It's hard to imagine a nicer example of one of these since we really don't recall ever seeing one of these this early before, pretty early low production model. The pictures should speak to the unplayed aspects of this lovely guitar.
Maker: KayKraft
Year: ca. 1930
Notes:
Maker: Knutsen
Year: ca. 1915
Notes:
offered as-is
Maker: Larson
Year: 1916
Notes:
I believe this little jewel was considered the 'standard model' at the time. Non laminated X braced 24 5/8" scale, full 1 3/4 nut. It appears to have had a neck set and plays well. It sustained a little crunch on the lower treble bout on the top, close examination reveals that when examining the pearl and the purfling, there are also a couple hairline tight cracks on back, a couple on the sides but they may be scratches. Everything is original to the guitar, tuners, bridge, bridge pins etc. It is a wonderful little cannon, huge warm sound and a delight to play
Maker: Lyon & Healy
Year: 1920's
Notes:
This parlor guitar has had a neck reset, modern Martin-size frets installed, is in super shape and needs nothing. Surprisingly loud and very good sounding.
Maker: National
Year: 1953
Notes:
A Scarce National Acoustic Arch-Top with Floating Pick-Up,
Which Sounds Great.
24 3/4" Scale.
Some Playing Wear in the First Position,
Otherwise, Extra-Fine.
Check Out this Case!
Maker: Ramirez
Year: 1972
Notes:
Maker: Ramirez
Year: 2002
Notes:
Maker: Regal
Year: ca 1900
Notes:
6 'harp' strings, 19" Brazilian Rosewood body".
Needs Restoration.
One of a very small handful of these rare guitars that are known to have survived.
Sorry, No Case.
Maker: Taylor
Year: 2016
Notes:
This is the hard-to-find Taylor 714...not to be confused with the ubiquitous Model 714CE,
with it's cutaway and it's obsolescent P.U. system.
A jumbo Grand Concert model with 16" lower bout. The Best of Taylor:
Beautiful Rosewood back and sides, rare wood bindings and trim. Abalone inlays in the ebony fingerboard.
Meticulously Crafted, World-Class Playability and Tone.
